Festival in Opposition: Cesura // Acceso Magazine, discussion
Submitted by admin on Fri, 2021-07-30 19:16Festival in Opposition: Cesura // Acceso Magazine, discussion
Cesura // Acceso Magazine> discussion, Paul Abbott, Anthony Iles, Howard Slater, and others.
"Festival in Opposition - Art and Politics of Improvisation"
OUR 'Accompanyings'
October 26 - 29, 2016
Place: Youth Center CK13
Vojvode Bojovića 13, Novi Sad
Organization: kuda.org
Listening session as an introduction to the Cesura // Acceso and discussion with members of the editorial board. Cesura // Acceso is a printed and online journal for music, politics, and poetics. The editorial staff consists of Paul Abbott, Gabriel Humberstone, Cara Tolmie, Christina Chalmers, Anthony Iles, and Larne Abse Gogarty. Number 1 can be read online: http://cesura-acceso.org
The festival in opposition is part of the "Aesthetic Education Extended " project.
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Festival in opposition is realized within the broader project "Aesthetic Education Extended", in which the Multimedijalni institut (HR), Kontrapunkt (MK), Kulturtreger/Booksa (HR), Berliner Gazette (DE) i kuda.org (RS). Project supported by:
Festival in Opposition: Anguish Language, poetic performance
Submitted by admin on Fri, 2021-07-30 18:55Festival in Opposition: Anguish Language, poetic performance
Anguish Language: public processing, Poetic performance
Participants: Paul Abbott, Cara Tolmie, Danny Hayward, Mira Mattar, Anthony Iles, London
"Festival in Opposition - Art and Politics of Improvisation"
OUR 'Accompanyings'
October 26 - 29, 2016
Place: Youth Center CK13
Vojvode Bojovića 13, Novi Sad
Organization: kuda.org
Anguish Language is a project that approaches language as a fundamental aspect of today’s social crisis. The project explores and develops new forms of publishing, poetry and political speech that have emerged during the financial crisis since 2008 and social struggles that call into question the consequences of that crisis. In CK13, the new group will vocalize texts, sounds, and noises that resonate with the term ‘anguish language’. http://anguishlanguage.tumblr.com
The festival in opposition is part of the "Aesthetic Education Extended" project.
Festival in Opposition is realized within the broader project "Aesthetic Education Extended", in which the Multimedijalni institut (HR), Kontrapunkt (MK), Kulturtreger/Booksa (HR), Berliner Gazette (DE), and kuda.org (RS) cooperate. The project was supported by:
Festival in Opposition: The Scratch Orchestra: Archive, Presentation, Howard Slater
Submitted by admin on Wed, 2021-07-28 14:43Festival in Opposition: The Scratch Orchestra: Archive, Presentation, Howard Slater
Howard Slater volontira kao terapeut (igre) i ponekad piše tekstove. Živi i radi u Londonu, i učestvuje u radu u časopisu Mute.
Festival in Opposition: The Scratch Orchestra: Archive, Presentation, Howard Slater
"Festival in Opposition - Art and Politics of Improvisation"
OUR 'Accompanyings'
October 26 - 29, 2016
Place: Youth Center CK13
Vojvode Bojovića 13, Novi Sad
Organization: kuda.org
Through a presentation, Howard Slater took us on a journey with the Scratch Orchestra through a brief history of their origins, as well as the continuation of their influence and inspiration to this day. The Scratch Orchestra originated from a series of music composition classes at London’s Morley College. These classes were initiated by Cornelius Cardew, Michael Parsons, and Howard Skempton and were attended by avant-garde musicians and artists interested in sound research, performance, and interventions outside concert halls. From this, the Scratch Orchestra was formed in 1969 and is described in the sketch of the statute as “a large number of enthusiasts who bring their experience and come together for action (making music, playing, performing). https://www.cafeoto.co.uk/events/nature-study-notes/
The festival in opposition is part of the "Extended Aesthetic Education" project.
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The festival in opposition is realized within the broader project "Aesthetic Education Extended ", in which the Multimedia Institute (HR), Kontrapunkt (MK), Kulturtreger / Books (HR), Berliner Gazette (DE) and kuda.org (RS) cooperate. The project was supported by:
New book published by kuda.org: Red Horizon. The Avant-Garde and the Revolution in Yugoslavia 1919 – 1932, Dejan Sretenović in Serbian and English
New book published by kuda.org: Red Horizon. The Avant-Garde and the Revolution in Yugoslavia 1919 – 1932, Dejan Sretenović in Serbian and English
New book published by kuda.org:
Red Horizon. The Avant-Garde and the Revolution in Yugoslavia 1919 – 1932, Dejan Sretenović
in Serbian and English
Nova knjiga u izdanju kuda.org: Crveni horizont. Avangarda i revolucija u Jugoslaviji 1919 – 1932, Dejana Sretenovića, na srpskom i engleskom jeziku
Nova knjiga u izdanju kuda.org: Crveni horizont. Avangarda i revolucija u Jugoslaviji 1919 – 1932, Dejana Sretenovića, na srpskom i engleskom jeziku
Nova knjiga u izdanju kuda.org:
Crveni horizont. Avangarda i revolucija u Jugoslaviji 1919 – 1932, Dejana Sretenovića
na srpskom i engleskom jeziku
kuda.org recommends: Free Jazz Communism (Rab Rab Press), spontaneous contribution to the programs NOISM + LOST & FoUND
kuda.org recommends: Free Jazz Communism (Rab Rab Press), spontaneous contribution to the programs NOISM + LOST & FoUND
kuda.org recommends:
Free Jazz Communism (Rab Rab Press),
spontaneous contribution to the programs NOISM + LOST & FoUND
kuda.org preporučuje: Free Jazz Communism (Rab Rab Press), spontani doprinos programima NOISM + LOST & FoUND
kuda.org preporučuje: Free Jazz Communism (Rab Rab Press), spontani doprinos programima NOISM + LOST & FoUND
kuda.org preporučuje:
Free Jazz Communism (Rab Rab Press),
spontani doprinos programima NOISM + LOST & FoUND
Znanje otvara vrata, neznanje se obija o glavu! Grupa B1: Tri dana treninga za OCD o Zakonu o besplatnoj pravnoj pomoći
Znanje otvara vrata, neznanje se obija o glavu! Grupa B1: Tri dana treninga za OCD o Zakonu o besplatnoj pravnoj pomoći
Znanje otvara vrata, neznanje se obija o glavu!
Grupa B1: Tri dana treninga za OCD o Zakonu o besplatnoj pravnoj pomoći
Branislava Opranović, 19.07.2021.
BIRN: Baza podataka o javnim konkursima u oblasti javnog informisanja, kulture, civilnog društva i omladine
BIRN: Baza podataka o javnim konkursima u oblasti javnog informisanja, kulture, civilnog društva i omladine
Baza podataka o javnim konkursima u oblasti javnog informisanja, kulture, civilnog društva i omladine
NKSS: Konferencija za medije povodom objavljivanja rezultata godišnjeg konkursa Ministarstva kulture Republike Srbije i Sekretarijata za kulturu Grada Beograda
NKSS: Konferencija za medije povodom objavljivanja rezultata godišnjeg konkursa Ministarstva kulture Republike Srbije i Sekretarijata za kulturu Grada Beograda
NKSS: Konferencija za medije povodom objavljivanja rezultata godišnjeg konkursa Ministarstva kulture Republike Srbije i Sekretarijata za kulturu Grada Beograda
Interview with architect Emil Jurcan, Pula
Submitted by admin on Wed, 2021-06-23 11:38Interview with architect Emil Jurcan, Pula
Emil Jurcan talks about the Pulska Grupa, the cooperative Praksa, the "use" of architecture, utilities, etc.
Emil Jurcan is an architect, one of the founders of the architectural cooperative Praksa, a member of the Pulska Grupa and the Civic Initiative for Muzil, in Pula, Croatia. and Civil Initiative for Muzil. These initiatives deal with the organization of public debates, protests, political pressures, workshops, conferences, publications, and exhibitions on the issue of privatization of public resources, especially abandoned military complexes in Pula.
Pulska Grupa is an informal group of architects from Pula. Since 2006, the group has gathered a narrow circle of 8 members - Ivana Debeljuh, Vjekoslav Gasparovic, Emil Jurcan, Jerolim Mladinov, Marko Percic, Sara Perovic, Helena Sterpin, and Edna Strenja, as well as many others. One of the first activities of the group was to organize a student workshop in the former military zone, Katarina, in Pula. The results of the workshop published in the book "Katarina 06 - opening of the Pula coast" caused a public conflict with the political elite, because they completely deviated from the official plans for this part of the coast. Since then, the group publishes publications, organizes demonstrations and exhibitions to agitate the audience towards self-organized urbanism in Pula, especially when it comes to the problem of the sea coast.
Pula Group: http://sites.google.com/site/pulskagrupa/
The interview was realized within the realization of the TV show Open Barracks, produced by kuda.org and associates, in 2011. The interview with Emil Jurcan was conducted by journalist Dragan Gmizić from Novi Sad, with members of kuda.org.
Open barracks: https://kuda.org/en/open-barracks
Interview with Lidija Radojević and Primož Krašovec, DPU, Ljubljana
Submitted by admin on Tue, 2021-06-22 15:33Interview with Lidija Radojević and Primož Krašovec, DPU, Ljubljana
Lidija Radojević and Primož Krašovec talk about the Delavsko Punkerska Univerza in Metelkova.
Workers' Punk University (Delavsko Punkerska Univerza) is an educational project that provides active education related to current political topics that are clearly avoided by recognized academic circles. For a long time, the self-sufficient knowledge of recognized universities has failed to address issues related to workers, punks, and other marginalized groups, that is, today's social and political reality, which is at a turning point. Workers' Punk University is a project within the Institute for Peace in Ljubljana. The project started in 1996 and is an alternative to official educational institutions. The university is based on collective work and strives to develop critical thinking and open new perspectives regarding the burning issues of today. The annual activities of the University are lectures once a week (every year there is a new subject that lasts throughout the academic year) on selected issues (previous subjects were related to Revolution, new right, love, and politics, new left, postfordism, political ecology, totalitarianism, etc. .); seminars on the interpretation of Marxism and other important social theories (Marx, Marcuse, Brecht, Freud, Altiser, St. Paul, Rousseau, etc. have been studied so far) and a symposium or summer/spring school (previous ones were dedicated to Kant, Adorno, tolerance, Grundrisse, etc.). All events of the Workers' Punk University take place in the former Metelkova barracks in Ljubljana.
More about Delavsko Punkerska Univerza at:
www.dpu.mirovni-institut.si
Description of DPU taken from: http://www.edicijajugoslavija.net
Metelkova or Autonomous Cultural Center Metelkova is an autonomous social center in Ljubljana, Slovenia. It is located on the site of the former Yugoslav army barracks and was squatted in 1993. Today, Metelkova consists of numerous independent spaces for artistic activities (studios, galleries), concerts, lectures, discussions, then offices for non-governmental organizations, a youth hostel, etc. Today, AKC Metelkova is under a strong blow of "normalization" and gentrification.
More about Metelkova:
www.metelkovamesto.org/?mode=static&id=19
The interview was realized within the realization of the TV show Open Barracks, produced by kuda.org and associates, in 2011. The interview with Lidija Radojević and Primož Krašovac was conducted by journalist Dragan Gmizić from Novi Sad, with members of kuda.org.
Open barracks: http://www.kuda.org/otvorene-kasarne-tv-emisija-kudaorg
kuda.org vas poziva na tribinu i razgovor o besplatnoj pravnoj pomoći u organizaciji Grupe Budi jedan (Grupa B1) iz Novog Sada
kuda.org vas poziva na tribinu i razgovor o besplatnoj pravnoj pomoći u organizaciji Grupe Budi jedan (Grupa B1) iz Novog Sada
kuda.org vas poziva na tribinu i razgovor o besplatnoj pravnoj pomoći u organizaciji Grupe Budi jedan (Grupa B1) iz Novog Sada
Četvrtak 17. jun 2021. godine u 18h
Prostorije Centra kuda.org, Braće Mogin 2, Novi Sad/Detelinara, ulaz pored Pošte
The competition announce for participation in a three-day workshop on video activism entitled: "DON'T HATE THE MEDIA, BE THE MEDIA"
Submitted by admin on Mon, 2021-06-14 13:14
Center for New Media_kuda.org, Novi Sad, Youth Center CK13, Novi Sad, and the association Restart from Zagreb is announcing a competition for participation in a three-day workshop on video activism entitled:
"DON'T HATE THE MEDIA, BE THE MEDIA"
JUDITA ŠALGO - THE CHRONICLE, book promotion, Monday 24.11. at 6 pm, Jewish Community, Great Hall, Novi Sad
Submitted by admin on Mon, 2021-06-14 13:10The Jewish community, Novi Sad
GREAT HALL, FIRST FLOOR, Jevrejska 11, Novi Sad
Monday 24.11. at 6 p.m.
Presentation of the book "JUDITA ŠALGO - chronicle"
Participants in the conversation:
Maja Solar, poet, and philosopher, Novi Sad
Vujica Rešin-Tucić, writer, Novi Sad
Zoran Mirković, writer, Novi Sad
Jovan Gvero, SCCNS program editor, Novi Sad
Discussion and presentation of artwork, guest: Karol Radziszewski (Poland, Warsaw), Youth Center CK13
Submitted by admin on Mon, 2021-06-14 13:08Youth Center CK13 and Center for New Media_kuda.org invite you to:
MONDAY 24.11., 20:30
CK13, Vojvode Bojovića 13, Novi Sad
Conversation and presentation of a work of art
guest: Karol Radziszewski (Poland, Warsaw)
SZU SZU / DIK / FF and others
DAY OF REMEMBRANCE OF VICTIMS OF TRANSPHOBIA in the Youth Center CK13
Submitted by admin on Mon, 2021-06-14 13:05Youth Center CK13, Vojvode Bojovića 13 Novi Sad, www.ck13.org
23.11. Sunday, 7 pm, Day of Remembrance for the Victims of Transphobia
The Day of Remembrance for Victims of Transphobia was established in memory of all victims of hatred and prejudice against persons whose gender expression is not in line with gender-established traditional roles.
Prezentacija ALBANA MUJE, UMETNIKA IZ PRIŠTINE, KOSOVO, PONEDELJAK 2. JULA, 20:00, Omladinski centar CK13, Novi Sad, Srbija
Submitted by admin on Thu, 2021-06-10 16:33Centar za nove medije_kuda.org i Omladinski centar CK13
- Program Backyard residencies -
Prezentacija
ALBAN MUJA, Priština
Ponedeljak, 02. jul 2007
20:00 h
Dom omladine CK13, Vojvode Bojovića 13, Novi Sad
Alban Muja govoriće o svom iskustvu u Novom Sadu, ali u svom izlaganju više će se usredsrediti na svoj prethodni umetnički rad, budući da je počeo da radi kao konceptualni umetnik. Govoriće i o svom projektu (akciji) u ulici Novi Sad pod nazivom „Turistički grad“.
Tokom prezentacije Alban će pokazati deo svog video rada:
Film screening: FAVELA RISING, FRIDAY 31.08 AT 9 pm, YOUTH CENTER CK13, NOVI SAD
Submitted by admin on Thu, 2021-06-10 13:56YOUTH CENTER CK13
Vojvode Bojovica 13, Novi Sad
Tel: +381 21 4737 600
http://ck13.org
office@ck13.org
=====================================
Friday, August 31 at 9 p.m.
Movie projection:
FAVELA RISING
"The Star and Its Shadow", Iconographic Representations of the Five-Pointed Star in the Art of Socialist and Post-Socialist Society
Submitted by admin on Thu, 2021-06-10 11:45A star and its shadow
September 14 - October 5, 2006 (opening at 7 p.m.)
Museum of Contemporary Art Novi Sad, Dunavska 37
http://www.msluns.org.yu/izlozbe/2006/zvezda/2006-zvezda.html
Molecular invasion and other tactical media projects, Critical Art Ensemble (2003)
Submitted by admin on Wed, 2021-06-09 14:00Molecular invasion and other tactical media projects, Critical Art Ensemble (2003)
Critical Art Ensemble je kolektive koji čine pet umetnika različite specijalizacije. kolektiv je posvećen istraživanju intersekcije između umetnosti, tehnologije, radikalne politike i kritičke teorije. http://www.critical-art.net
The idea of tactical media and what it means is our topic of interest right from the start. It is important to say that we were quite irritated by the idea of "monuments" of culture in terms of various types of production from the cultural sphere. It was about something that the artist makes - a great work that greatly influences the course of art history, creates space for individuals, and builds a bunker of meanings that remain permanent. The critical art group was not really interested in such things. We were interested in what is immediate and transient. Maybe the meaning we create will fade over time. We do not create works to last, nor to represent universal claims. We rejected that and instead said: "What we are interested in concerns specific places at a specific time, we are also interested in how the audience understands us. By distorting the traditional art model, by which an artist inspires you, you express that inspiration, then the amount is in public so that people can see. We have found the opposite by wondering what is in the outside world and how we react in the social context. We will present some projects to illustrate what we mean by "tactical", as opposed to the monumental ideal of the strategic. "Giving a New Name" (Renaming Project) was performed in Victoria Square in Adelaide, Australia, and the situation we found there was as follows: Aboriginal people, the locals, had great difficulty trying to penetrate the public sphere. in the project was Central Park in the city, which was a secret land for them, because there was no place for them. In the park, there is a square called Victoria Square, which houses a huge monument to Queen Victoria, the world's greatest colonizer. Needless to say, how irritating it was, there was a feeling that another version of history should be told in the same place. and Western cultures, because our understanding of activism meant direct and fast action, and their understanding of penetrating the public plane meant slow action. These were two culturally completely different conceptions of time. The local population asked the city council to give the square a double name. Another name would be Aboriginal "Tamdaniunnga", meaning " there, where red kangaroos dream". The panel neither rejected nor agreed to that proposal. Needed by this situation, tribal elders, local activists and a multitude of stakeholders decided to take concrete action to name the square. In cooperation with the company that made the inscriptions called the city of Adelaide, inscriptions were made called the square - "Tamdaniunnga". That is when the Art Coalition for Public Art (PAAC) was formed. The group replaced 10 of the 20 inscriptions called Victoria Square and thus gave the square a double name. It was a way to show the activity that people can use in the material conditions they live in. They no longer had to live with the feeling that passive resistance was the only solution. It only took a few days. However, it is interesting that six weeks after that, the city council gave in and now the square has a double name. It was a concrete intervention that went public and that changed the previous situation - a structure that had been present for centuries. This is very close to the essence of tactical media. By this, we do not mean the obligatory creation of a material object, but processes in a situation where new ways of understanding and new ideas can be realized. In this way, other possibilities become feasible...
Saopštenje udruženja: Međunarodno udruženje likovnih kritičara – Sekcija Srbija (AICA-Srbija), Udruženje likovnih umetnika Srbije (ULUS), Savez udruženja likovnih umetnika Vojvodine (SULUV), Stanica – Servis za savremeni ples, Nezavisna kulturna scena Srb
Saopštenje udruženja: Međunarodno udruženje likovnih kritičara – Sekcija Srbija (AICA-Srbija), Udruženje likovnih umetnika Srbije (ULUS), Savez udruženja likovnih umetnika Vojvodine (SULUV), Stanica – Servis za savremeni ples, Nezavisna kulturna scena Srb
Saopštenje udruženja: Međunarodno udruženje likovnih kritičara – Sekcija Srbija (AICA-Srbija), Udruženje likovnih umetnika Srbije (ULUS), Savez udruženja likovnih umetnika Vojvodine (SULUV), Stanica – Servis za savremeni ples, Nezavisna kulturna scena Srbije (NKSS), povodom prekida izložbe umetnika Radoša Antonijevića u Oficirskom domu u Nišu
kuda.org announces: motive mutation, MSU / Music Biennale Zagreb
kuda.org announces: motive mutation, MSU / Music Biennale Zagreb
kuda.org residency at MSU Zagreb
Performance by kuda.org at the Music Biennale Zagreb
Second festival block - Continuum Nr. 2 - Shifting
MSU, southern plateau, Saturday May 29th, 2021, at 20h
'motive mutation'
kuda.org/noism
štrudel, new CD release of noism program
štrudel, new CD release of noism program
![+ Red horizon (2021) - [cover] - ENG - 01.jpg](https://kuda.org/sites/default/files/docs/%2B%20Red%20horizon%20%282021%29%20-%20%5Bcover%5D%20-%20ENG%20-%2001.jpg){kind=link}
![+ Red horizon (2021) - [cover] - ENG - 02.jpg](https://kuda.org/sites/default/files/docs/%2B%20Red%20horizon%20%282021%29%20-%20%5Bcover%5D%20-%20ENG%20-%2002.jpg){kind=link}
![+ Red horizon (2021) - [cover] - ENG - 03.jpg](https://kuda.org/sites/default/files/docs/%2B%20Red%20horizon%20%282021%29%20-%20%5Bcover%5D%20-%20ENG%20-%2003.jpg){kind=link}
![+ Crveni horizonti (2021) - [korica] - SRB - 01.jpg](https://kuda.org/sites/default/files/docs/%2B%20Crveni%20horizonti%20%282021%29%20-%20%5Bkorica%5D%20-%20SRB%20-%2001.jpg){kind=link}
![+ Crveni horizonti (2021) - [korica] - SRB - 02.jpg](https://kuda.org/sites/default/files/docs/%2B%20Crveni%20horizonti%20%282021%29%20-%20%5Bkorica%5D%20-%20SRB%20-%2002.jpg){kind=link}
![+ Crveni horizonti (2021) - [korica] - SRB - 03.jpg](https://kuda.org/sites/default/files/docs/%2B%20Crveni%20horizonti%20%282021%29%20-%20%5Bkorica%5D%20-%20SRB%20-%2003.jpg){kind=link}
štrudel
dieb13 & Marina Džukljev
The new CD edition of the NOISM program was the result of the creative process of the two artists through the exchange of materials on the Internet.
The result is a joint improvisation combined in a composition of štrudel (strudel, whirlpool) lasting 42:50 minutes.
štrudel, novo CD izdanje noism programa
štrudel, novo CD izdanje noism programa
štrudel
dieb13 & Marina Džukljev
Novo CD izdanje NOISM programa, proizašlo je kao rezultat stvaralačkog procesa dvoje umetnika kroz razmenu materijala internetom na kojem su muzičari međusobno intervenisali.
Rezultat je zajednička improvizacija objedinjena u kompoziciji štrudel (štrudla, vir, kovitlac) u trajanju od 42:50 minuta.