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  • New Media Center_kuda.org is an independent cultural organization which since 2001 brings together artists, theoreticians, media activists, researchers and the wider public in the research of contemporary art theory and practice, cultural policies, activism and politics. kuda.org tends to make an intervention in the sphere of research and artistic and social experimentation within the field of art and cultural production, from the position of institutional critique and critique of cultural policies. Facing processes of cultural industries and culturalization of politics and art, the collective attempts to map and encourage acts of critique and resistance to comodification of results of art production including attempts of transformation and critique of relations of production which are in the field of art production and outer-art social processes being reproduced through shifts of ideological and „political“ matrixes, which are in the last instance consequence of recuperation of people.

    kuda.org creates platform for an open dialogue, experimental education, collaboration and research, and open access to different knowledge resources. Within kuda.org, there have been organized several hundreds public events: lectures and presentations of visiting artists and theorists, workshops, exhibitions, conferences and international publishing project. Over the years, kuda.org has established wide network of collaborating cultural institutions and individuals, locally, in Serbia, in the region and internationally. In 2007, kuda.org co-established Youth Center CK13 (www.ck13.org), one of the rare autonomous spaces dedicated to activism, self-organization and independent cultural production. Since 2012, kuda.org is closely collaborating with Group for Conceptual Politics – GKP (www.konceptualnapolitika.blogspot.rs) from Novi Sad on mutual projects, theoretical researches, publishing and politics of housing (within the project „Local politics and Urban self-management“, www.detelinara.org).

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  • The Continuous Art Class, 2005 (29) Apply The Continuous Art Class, 2005 filter
  • Political practices of (post-) Yugoslav art, 2009 (8) Apply Political practices of (post-) Yugoslav art, 2009 filter
  • Art Always Has Its Consequences, 2008-2010 (6) Apply Art Always Has Its Consequences, 2008-2010 filter
  • Individual Utopia Now and Then, 2009-11 (6) Apply Individual Utopia Now and Then, 2009-11 filter
  • Networks & initiatives (6) Apply Networks & initiatives filter
  • Omladinski društveni centar CK13 (6) Apply Omladinski društveni centar CK13 filter
  • LOST & FoUND / Izgubljeno-Nađeno (5) Apply LOST & FoUND / Izgubljeno-Nađeno filter
  • kuda.read publications (4) Apply kuda.read publications filter
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  • Publications "The Continuous Art Class" (4) Apply Publications "The Continuous Art Class" filter
  • Art production "The Continuous Art Class" (3) Apply Art production "The Continuous Art Class" filter
  • INtoOUTREACH, 2011-12 (3) Apply INtoOUTREACH, 2011-12 filter
  • Novi oblici istraživanja savremene muzike (3) Apply Novi oblici istraživanja savremene muzike filter
  • Peripheral Visions - towards a trans(l)national publishing culture (3) Apply Peripheral Visions - towards a trans(l)national publishing culture filter
  • Alternative Economics, Alternative Societies, 2005 (2) Apply Alternative Economics, Alternative Societies, 2005 filter
  • Artist organisation (2) Apply Artist organisation filter
  • Aesthetic Education Expanded, 2012-14 (1) Apply Aesthetic Education Expanded, 2012-14 filter
  • Aesthetic Education Expanded, 2015-17 (1) Apply Aesthetic Education Expanded, 2015-17 filter
  • Conference „Trans_European Picnic“, 2004 (1) Apply Conference „Trans_European Picnic“, 2004 filter
  • Dictionary of War, 2008 (1) Apply Dictionary of War, 2008 filter
  • Exhibition "I love you [rev.eng]", 2006 (1) Apply Exhibition "I love you [rev.eng]", 2006 filter
  • Exhibitions "Media Ontology" (1) Apply Exhibitions "Media Ontology" filter
  • Exhibitions "The Continuous Art Class" (1) Apply Exhibitions "The Continuous Art Class" filter
  • ID: Ideology of Design, 2010 (1) Apply ID: Ideology of Design, 2010 filter
  • kuda.lounge archive (1) Apply kuda.lounge archive filter
  • Local politics (1) Apply Local politics filter
  • Lokalne politike i urbana samouprava (1) Apply Lokalne politike i urbana samouprava filter
  • Mapping of Right-Wing Extremism, 2004 (1) Apply Mapping of Right-Wing Extremism, 2004 filter
  • Media art practice collection of MoCAV, 2010 (1) Apply Media art practice collection of MoCAV, 2010 filter
  • Mobile Lab, 2006 (1) Apply Mobile Lab, 2006 filter
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  • World-Information.Org, 2003 (1) Apply World-Information.Org, 2003 filter
  • Srpski
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  • kuda.org recommends: Free Jazz Communism (Rab Rab Press), spontaneous contribution to the programs NOISM + LOST & FoUND
  • kuda.
    NEOPLANTA film: Screenings of films from the period 1966 - 1971, WR Mysteries of the organism
  • kuda.
    NEOPLANTA film: Screenings of Žilnik's films from the period 1966 - 1971.
  • kuda.
    NEOPLANTA film: The screening of films from the period 1966 - 1971.
  • kuda.
    GROUP APRIL: HISTORY CLASS No. 2, Announcement on the occasion of the action carried out at the opening of the reconstructed building of the Cultural Center of Novi Sad (KCNS)
  • kuda.
    Legacy of Bogdanka and Dejan Poznanović

    Bogdanka and Dejan Poznanović were very important people on the Yugoslavian cultural scene in the last decades of the 20th century. With their work on the 'Youth Tribune', they represented the social integrators of the then cultural scene in Novi Sad with the cultural space of Yugoslavia and Europe. Poznanovićs was one of the founders of the 'Youth Tribune', which promoted new understandings in art and literature as opposed to the official propaganda of 'socialist realism. At that time, the 'tribune' was a meeting place for forbearers of new tendencies in culture, such as Vasko Popa, Oskar Davičo, Miodrag Pavlović, Branko Miljković, Tomaž Šalamun, Michelangelo Pistoleto, Marina Abramović, Slovenian, Macedonian, Croatian and artists from all over Yugoslavia. In the period from 1954, the Tribune was a place of integration of artists from Novi Sad and Vojvodina, whose critical and conceptual work influenced the formation of a unique cultural identity of this area. Among these artists are Slavko Bogdanović, Miroslav Mandić, Slobodan Tišma, Mirko Radojičić, Čeda Drča, Vladimir Kopicl, the Bosch + Bosch group, the OHO group, etc.

     

  • kuda.
    Public discussion "Omitted History" at the opening of the exhibition

    Public discussion "Omitted history" on the occasion of the opening of the exhibition, 18.11.2005.

    Discussion moderator: Želimir Žilnik, film director, Novi Sad

     

    Discussion participants:

     

    Dr. Zvonko Maković, art historian, Head of the Department of Art History at the Faculty of Philosophy in Zagreb

     

    Dr. Latinka Perović, historian, Belgrade

     

    Dr. Nebojsa Popov, sociologist, editor of the magazine "Republika", Belgrade

     

    Lazar Stojanović, film director, Belgrade

  • LOST & FoUND music edition and label, CD Ritual Nova 1982-1986
  • KUDA.ORG AT THE 19th ART BIENNAL, Pančevo
  • Center_kuda.org - 18. Art Biennial Pančevo, Svetosavski Dom, Pančevo, Serbia, May 26th, 2018
  • kuda.
    PRESS RELEASE: Youth Center CK13 is under attack, again
  • kuda.
    PRESS RELEASE: The second attack on the premises of CK13 in the last week
  • kuda.
    4th Birthday of the Youth Center CK13, Tribune: Does everyone has their own center?
  • kuda.
    Youth Center CK13: Press release on the occasion of writing hate graffitiYouth Center CK13: Press release on the occasion of writing hate graffiti
  • kuda.
    Izložba POLITIČKE PRAKSE (POST-)JUGOSLOVENSKE UMETNOSTI, RETROSPEKTIVA 01
  • kuda.
    The open call completed - New media workshops "DON'T HATE THE MEDIA, BECOME THE MEDIA" in the Youth Center CK13, Novi Sad
  • Youth Center CK13 In Novi Sad
  • kuda.
    The Exhibition "ALTERNATIVE ECONOMICS, ALTERNATIVE SOCIETIES", Oliver Ressler

    The exhibition "Alternative Economics, Alternative Societies" focuses on diverse concepts and models for alternative economies and societies, which all have in common a rejection of the capitalist system of rule. In the specific context of Serbia and Montenegro, which is facing one of the most "painful" processes of transition and "predatory" capitalism implementation in the region, this art exhibition offers solutions and examples of concrete models of political and social organizing realized in different parts of the world and in different historical epochs. In the context of extremely right-wing politics in Serbia and these incredibly fast economic transformation processes, there is a conviction that the exhibitions have the potential to appeal on questioning and rethinking the local system of rule and to create the bases for thinking about social and economic alternatives.

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