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Bogdanka and Dejan Poznanović were very important people on the Yugoslavian cultural scene in the last decades of the 20th century. With their work on the 'Youth Tribune', they represented the social integrators of the then cultural scene in Novi Sad with the cultural space of Yugoslavia and Europe. Poznanovićs was one of the founders of the 'Youth Tribune', which promoted new understandings in art and literature as opposed to the official propaganda of 'socialist realism. At that time, the 'tribune' was a meeting place for forbearers of new tendencies in culture, such as Vasko Popa, Oskar Davičo, Miodrag Pavlović, Branko Miljković, Tomaž Šalamun, Michelangelo Pistoleto, Marina Abramović, Slovenian, Macedonian, Croatian and artists from all over Yugoslavia. In the period from 1954, the Tribune was a place of integration of artists from Novi Sad and Vojvodina, whose critical and conceptual work influenced the formation of a unique cultural identity of this area. Among these artists are Slavko Bogdanović, Miroslav Mandić, Slobodan Tišma, Mirko Radojičić, Čeda Drča, Vladimir Kopicl, the Bosch + Bosch group, the OHO group, etc.
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Public discussion "Omitted history" on the occasion of the opening of the exhibition, 18.11.2005.
Discussion moderator: Želimir Žilnik, film director, Novi Sad
Discussion participants:
Dr. Zvonko Maković, art historian, Head of the Department of Art History at the Faculty of Philosophy in Zagreb
Dr. Latinka Perović, historian, Belgrade
Dr. Nebojsa Popov, sociologist, editor of the magazine "Republika", Belgrade
Lazar Stojanović, film director, Belgrade
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The exhibition "Alternative Economics, Alternative Societies" focuses on diverse concepts and models for alternative economies and societies, which all have in common a rejection of the capitalist system of rule. In the specific context of Serbia and Montenegro, which is facing one of the most "painful" processes of transition and "predatory" capitalism implementation in the region, this art exhibition offers solutions and examples of concrete models of political and social organizing realized in different parts of the world and in different historical epochs. In the context of extremely right-wing politics in Serbia and these incredibly fast economic transformation processes, there is a conviction that the exhibitions have the potential to appeal on questioning and rethinking the local system of rule and to create the bases for thinking about social and economic alternatives.