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  • Center_kuda.org is a non-profit self-organized civic association focused on experimental and critical arts. Founded 2001 in Novi Sad, Serbia, Center_kuda.org is established as a permanent physical, organizational and human infrastructure. It gathers artists, architects, sociologists, IT developers, theoreticians, engineers, researchers, autodidacts, scientists, etc. We focus on experimentation in arts, sound installation, cross disciplinary works and experimental extracurricular education. We aim to expand our space as a research arts laboratory where inter-disciplinary lines can overlap to create projects that explore processes and techniques, address social, political, cultural and critical issues.

    Centar_kuda.org projects often have elements of transmission from artistic production to social criticism and vice versa. Emphasis is placed on artistic interventions that both include social activism and deal with universal problems in the production of visual arts, music, spatial and other interventions. The activities of the Center are developed on several levels: local and international, in the artistic and socially activist way. The programs also vary in terms of duration - some are quick and short public actions or reactions to the environment, while others are research-based programs requiring long-term commitment and investment. The framework of activities is based on dynamic merging of the expansion of direct social actions and questioning the autonomy of contemporary art in contemporary society. This scope of our work represents an empty space in the cultural landscape of Serbia, not covered by either cultural institutions or research centres.

    The specific environment in which we operate, that is, Serbia in the period of transformation, characterised by the change in the ideological paradigm from socialism to capitalism, and by processes of privatisation (often accompanied by irregularities and corruption) and commercialisation of culture, have had an impact on the nature of our work and our tactical approach in relation to the dominant nationalist/populist politics, which significantly affects cultural politics and the work conditions for organizations outside of the state-supported system.

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Home » Individual Utopia Now and Then, 2009-11 » Novi oblici istraživanja savremene muzike

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Home » Individual Utopia Now and Then, 2009-11 » Novi oblici istraživanja savremene muzike
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  • Binus - NOISM production 2024.
  • NOISM 2024 Concert series #5: Tracy Lisk (SAD, Boris Janje (Hrvatska) & Vanja Dabić (Belgrade), 21.11.2024. at 20h
  • NOISM 2024 Concert series #4: Lori Freedman (Canada) + Nenad Marković & Ilia Belorukov (Novi Sad), 12.10.2024. at 20:00h
  • noism matters - Video and live Performance „outer state“ in Vienna, Prokopová/Tasić
  • NOISM 2024 Concert series #3: Fabian Lanzmaier (Vienna) + Laptop okrestar (Novi Sad), 14.09.2024. at 20:00h
  • rOOms: NOISM 2024 Residency | Sara Zlanabitnig | Ilia Belorukov
  • NOISM 2024 Concert series #2: Ilia Belorukov, Jason Kahn, Alex Riva, February 25th at 20h
  • NOISM 2024 Concert series #1: Trio Nicolai/Ruffing/Tataroglou + Ilia Belorukov and Anna Belorukova, February 10th, 2024
  • kuda.org announce >​ FiO > 2023 > Eternal return with Artan Sadiku
  • kuda.org NOISM 2023 #2, art workshop: Anna Prokopová & Nemanja Tasić
  • echoraum: Alisa Beck and Sara Zlanabitnig > It's hard not to cooperate when you live in Vienna
  • Zoran Pantelić > Iniciramo susrete umetnika kojima se omogućava iskorak iz svakodnevnog pritiska
  • Zahra Mani > Playing together and improvising represent a socio-cultural encounter
  • Ksenija Stevanović > Radio ima veliki umetnički potencijal
  • Jonas Kocher > Musicians are insufficiently political and often somewhat closed in their network
  • Janez Leban > U proteklih 30 godina, promene na kulturnom polju su ogromne
  • Jaka Berger > Improvisation is a practice in art and life that makes us better
  • Ilia Belorukov > Any sound can be music
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