- (-) Remove Artist organisation filter Artist organisation
- (-) Remove kuda.read publications filter kuda.read publications
- (-) Remove Individual Utopia Now and Then, 2009-11 filter Individual Utopia Now and Then, 2009-11
- (-) Remove INtoOUTREACH, 2011-12 filter INtoOUTREACH, 2011-12
- (-) Remove Resource Center for Local Activism filter Resource Center for Local Activism
- (-) Remove Dictionary of War, 2008 filter Dictionary of War, 2008
- (-) Remove Media art practice collection of MoCAV, 2010 filter Media art practice collection of MoCAV, 2010
- Networks & initiatives (45) Apply Networks & initiatives filter
- Novi oblici istraživanja savremene muzike (45) Apply Novi oblici istraživanja savremene muzike filter
- Projects (41) Apply Projects filter
- Vectors of Collective Imagination (38) Apply Vectors of Collective Imagination filter
- The Continuous Art Class, 2005 (28) Apply The Continuous Art Class, 2005 filter
- Aesthetic Education Expanded, 2015-17 (22) Apply Aesthetic Education Expanded, 2015-17 filter
- kuda.lounge archive (17) Apply kuda.lounge archive filter
- Art Always Has Its Consequences, 2008-2010 (13) Apply Art Always Has Its Consequences, 2008-2010 filter
- Peripheral Visions - towards a trans(l)national publishing culture (13) Apply Peripheral Visions - towards a trans(l)national publishing culture filter
- Aesthetic Education Expanded, 2012-14 (12) Apply Aesthetic Education Expanded, 2012-14 filter
- Residency programs, since 2003 (8) Apply Residency programs, since 2003 filter
- Local politics (7) Apply Local politics filter
- LOST & FoUND / Izgubljeno-Nađeno (7) Apply LOST & FoUND / Izgubljeno-Nađeno filter
- Political practices of (post-) Yugoslav art, 2009 (7) Apply Political practices of (post-) Yugoslav art, 2009 filter
- ID: Ideology of Design, 2010 (6) Apply ID: Ideology of Design, 2010 filter
- Omladinski društveni centar CK13 (6) Apply Omladinski društveni centar CK13 filter
- Tehnologije umetničkog stvaralaštva (5) Apply Tehnologije umetničkog stvaralaštva filter
- Publications "The Continuous Art Class" (4) Apply Publications "The Continuous Art Class" filter
- World-Information.Org, 2003 (4) Apply World-Information.Org, 2003 filter
- Art production "The Continuous Art Class" (3) Apply Art production "The Continuous Art Class" filter
- Mapping of Right-Wing Extremism, 2004 (3) Apply Mapping of Right-Wing Extremism, 2004 filter
- Alternative Economics, Alternative Societies, 2005 (2) Apply Alternative Economics, Alternative Societies, 2005 filter
- Exhibition "I love you [rev.eng]", 2006 (2) Apply Exhibition "I love you [rev.eng]", 2006 filter
- Lokalne politike i urbana samouprava (2) Apply Lokalne politike i urbana samouprava filter
- Conference „Trans_European Picnic“, 2004 (1) Apply Conference „Trans_European Picnic“, 2004 filter
- Exhibitions "Media Ontology" (1) Apply Exhibitions "Media Ontology" filter
- Exhibitions "The Continuous Art Class" (1) Apply Exhibitions "The Continuous Art Class" filter
- Mobile Lab, 2006 (1) Apply Mobile Lab, 2006 filter
- Zajednice učenja / Communities of learning (1) Apply Zajednice učenja / Communities of learning filter
-
-
-
-
-
-
-
-
-
-
-
A3.Format Group 29,7x42cm. www.a3format.org www.a3format.blogspot.com
-
Verica Barać
-
-
-
-
ID: Ideology of Design - The reader is published as a part of the project and exhibition Ideology of Design (www.kuda.org/en/id-e) which deals with theories and practices (of industrial and graphic) design that was taking place during almost half a century of socialist Yugoslavia, and their wider social and ideological context. The curators and producers of the exhibition are New Media Center_kuda.org and it was held in Novi Sad, Serbia in the period from October 23rd to November 23rd, 2009.
-
The Project INDIVIDUAL UTOPIAS NOW and THEN – designed as a long-term research and production project with multidisciplinary and multimedia approaches, focused on artistic practices and different media phenomena (individual and collective) and their perception, valuation and influence on the experiences of transition societies from perspectives of different generations.
-
-
-