On Horizons: Art and Political Imagination
On Horizons: Art and Political Imagination
the second in the series of FORMER WEST Research Congresses,
takes place on 4–6 November 2010 at Istanbul Technical University
The Congress revolves around the theoretical notion of the “horizon” and its place within artistic production and political imagination today. If, as it is commonly assumed, the global political and cultural changes of 1989 left the world bereft of a sense of politics as striving towards a future—a horizon as it were—then we are left with the perpetual caretaking of the existing state of things. Given this apparent endgame of liberal democracy, how can we insist that it is possible to imagine and to realize another world, to posit the horizon anew?
Venue: Istanbul Technical University, Taşkışla Campus, Room 109.
Language: English (simultaneous translation into Turkish is provided)
Admission: free (registration is required).
PROGRAM
4 November 2010 (Thursday)
Positing the Horizon in Art, Philosophy, and Politics
On its first day, the Congress explores the notion of the horizon in contemporary art and critical theory. Taking as our starting point the idea that the horizon is what frames our sense of direction of possibility and impossibility, the contributors speculate along two lines of orientation. On the one hand, the question of how and where the horizon must be situated in order to be effectual is considered. On the other, the issue of the horizon as an image is explored, in order to connect political imaginaries and artistic production. In this sense, the horizon is produced in the intersection between aesthetics and politics.
Moderator:
Boris Buden (cultural critic and writer, Berlin)
13.00–13.15, Welcome by Maria Hlavajova (artistic director, BAK, Utrecht and FORMER WEST) and Fulya Erdemci (director, SKOR, Amsterdam)
13.15–13.45, Opening Remarks by Maria Hlavajova
13.45–14.00, Introduction to the day by Boris Buden
14.00–14.40, Expecting the Unexpected: Once more on the “Horizon of Expectations”, Lecture by Peter Osborne (philosopher and writer, London)
14.40–14.50 Questions
14.50–15.15 Coffee Break
15.15–15.55 Projects in the Absence of Signposts, Lecture by Çağlar Keyder (sociologist, Istanbul/Binghamton, NY)
15.55–16.05 Questions
16.05–16.45 Rear View Vision: History Enthusiasm and History Anxiety, Lecture by Julie Ault (artist and writer, New York)
16.45–16.55 Questions
16.55–17.15 Coffee Break
17.15–17.55 Vectors of the Possible: Art between Spaces of Experience and Horizons of Expectation, Lecture by Simon Sheikh (curator and critic, Copenhagen/Berlin)
17.55–18.05 Questions
18.05–19.30 Discussion with Julie Ault, Çağlar Keyder, Peter Osborne, and Simon Sheikh
Reviewer: Erden Kosova (art critic, Istanbul)
5 November 2010 (Friday)
Horizontality Enacted
Whereas the metaphor of a horizon suggests an expansive outlook and a field of possibilities, the notion of horizontality is associated with being on a single plane with little sense of orientation. Is horizontality a form of spatial production driven by the principle of radical equality? How might this shift our understanding of the public and the commons? Contributors
examine how various geographies of horizontality, both conceptually and in practice, are played out in urban forms, exhibition making, institutions and social organization. The enactment of horizontality is seen as the link between the “space of experience” and the “horizon of expectation.”
Moderator:
Vivian Rehberg (art historian and critic, FORMER WEST research curator, Paris/Utrecht)
10.00–10.15 Introduction to the day by Fulya Erdemci (director SKOR, Amsterdam)
10.15–10.55 The Exhibition as an Archive, Lecture by Beatriz Colomina (architecture historian and theorist, New York)
10.55–11.05 Questions
11.05–11.45 Practicing Art. Imagining Politics, Lecture by Shuddhabrata Sengupta (artist and writer, member of Raqs Media Collective, Delhi)
11.45–11.55 Questions
11.55–12.15 Coffee Break
12.15–12.55 The Communist Horizon, Lecture by Jodi Dean (political theorist and writer, Geneva, NY)
12.55–13.05 Questions
13.05–14.30 Discussion with Beatriz Colomina, Jodi Dean, and Shuddhabrata Sengupta
14.30–16.00 Lunch Break
16.00–17.30 Conversation with Bülent Diken (social theorist, Lancaster) and Wouter Vanstiphout (architectural historian, Rotterdam)
17.30–19.00 Conversation with Vasif Kortun (curator and writer, director of Platform Garanti Contemporary Art Center, Istanbul) and Lisette Lagnado (curator and writer, São Paulo)
Reviewer: Övül Durmuşoğlu (curator and writer, Istanbul/Berlin)
6 November 2010 (Saturday)
Reclaiming a Horizon—Art as Political Imagination
How are new horizons imagined, speculated upon, visualized, and materialized through contemporary art? This question concerns not just the historical and conceptual connections (and divisions) that have long existed between aesthetics and politics, but also the political tendencies that can be found in artistic production after 1989. How is a particular kind of politics of representation and representation of politics articulated in contemporary artistic production, art theory, curatorial work, and through the production and dissemination of cultural discourses more generally? And how does this connect to the aesthetic dimension of contemporary politics? The task is not only to look at the relationship between art and politics, but to see art as political imagination.
Moderator: TJ Demos (art historian and critic, London)
10.00–10.15 Introduction to the day by TJ Demos
10.15–10.55 In Free Fall: A Thought Experiment, Lecture by Hito Steyerl (filmmaker and writer, Berlin)
10.55–11.05 Questions
11.05–11.45 Aesthetic Horizons, Lecture by Gerald Raunig (philosopher and art theorist, Zürich)
11.45–11.55 Questions
11.55–12.15 Coffee Break
12.15–12.55 On Horizons and Discourse, Lecture by Ernesto Laclau (political theorist, Buenos Aires/London)
12.55–13.05 Questions
13.05–14.30 Discussion with Ernesto Laclau, Gerald Raunig, and Hito Steyerl
14.30–16.00 Lunch Break
16.30–18.00 Conversation with Robert Sember (artist and activist, member of Ultra-red, New York) and Dmitry Vilensky (artist and activist, member of Chto Delat?/ What is to be done?, St. Petersburg)
18.00–18.30 Wrap up and Conclusions by Maria Hlavajova and Simon Sheikh
18.30 Closing Reception
20.00 Congress concludes
Reviewer: Pelin Tan (sociologist and art historian, Istanbul)
further info: [email protected]