Theory

Deep Search II conference
kuda.

Deep Search II, Vienna, May 28 2010

World-Information Institute
http://world-information.org
Program of the conference at:
http://world-information.org/wii/deep_search2/en/ds-program_2010
Presentation: n.e.w.s. - collective online platform for art-related activity
kuda.

Monday, May 31st, 2010, 5pm
The Youth Center CK13, Novi Sad

Guest: Renée Ridgway, Amsterdam, http://northeastwestsouth.net/node/233

n.e.w.s (http://northeastwestsouth.net) was launched at ISEA 2008 in Singapore. n.e.w.s. is a collective online platform for the analysis and development of art-related activity, drawing upon contributions from around the globe, bringing together different voices, accents and outlooks from the North, East, West and South.
Ideology of Design at the "Art Always Has Its Consequences"
kuda.

Within the project and the exhibition Art Always Has Its Consequences (8. May – 2. June, Zagreb), kuda.org presents:

Ideology of Design: Fragments on History of Yugoslav Design with documentation about series of exhibitions of Yugoslav graphic design Kontakt and and the new production – conceptual intervention of Dutch art&design collective Metahaven (www.metahaven.net).
What, How & for Whom / WHW: Art Always Has Its Consequences
kuda.

One of the most famous episodes of guerrilla art protest actions carried out in a museum institution is a series of actions by the group GAAG (Guerilla Art Action Group) in the period from 1969 to 1971, especially because their protests were carried out in the Museum of Modern Art in New York, a museum which even today, after its transformation from an elitist temple of aesthetic contemplation into a tourist attraction, maintains its position as the main institution of contemporary global art.
Što, kako i za koga / WHW: Umjetnost uvijek ima posljedice
Milan Trenc, Srp i Čekić

Jedna od najslavnijih epizoda gerilskih umjetničkih protestnih akcija izvedenih u instituciji muzeja jest serija akcija grupe GAAG (Guerilla Art Action Group) u razdoblju od 1969. do 1971, već i zbog toga što su se njihovi protesti održavali u Muzeju moderne umjetnosti u New Yorku, muzeju koji i danas, nakon transformacije iz elitističkog hrama estetske kontemplacije u turističku atrakciju, drži primat glavne institucije globalne suvremene umjetnosti.
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