Reader ID: Ideology of Design, edited by Branka Ćurčić and published by AUTONOMEDIA New York, 2009
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ID: Ideology of Design, Branka Ćurčić, Ed., 2009, ISBN 978-1-57027-209-7, Autonomedia, New York
Authors of the essays are: Jean Baudrillard, Igor Chubarov, an interview with Jerko Denegri, Branislav Dimitrijević, Hal Foster, Nenad Malešević, Metahaven, Borislav Mikulić, Barbara Predan, Jacques Rancière, Feđa Vukić and WHW collective. |
INVISIBLE HISTORY OF EXHIBITIONS. Parallel chronologies - exhibition and symposium in Budapest, May 20-22nd
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Parallel Chronologies – Invisible History of Exhibitions
exhibition
Opening: May 20, 2009
6 p.m. Labor (V. Budapest, Képíró u. 6.)
7 p.m. Krétakör Bázis, (IX. Budapest, Gönczy Pál u. 2.)
On view
Tuesday and Thursday 4 p.m.-8 p.m., Saturday 10 a.m.-2 p.m.
Labor: 26 May – 13 June
Krétakör Bázis: 30 May – 13 June
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Invisible History of Exhibitions
international symposium
Location: Krétakör Bázis (IX. Budapest, Gönczy Pál u. 2.)
Date: May 21 - 22, 10 a.m. – 6 p.m.
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tranzit.hu (www.tranzit.org) organizes an exhibition and symposium with the title Invisible History of Exhibitions, which aims at the formation of a shared knowledge and discourse on Eastern European art exhibitions from the 1960s till now. |
Art Always Has Its Consequences
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www.artalways.org
The project Art Always Has Its Consequences is conceived as a long-term international collaborative platform. It aims to create and disseminate knowledge about paradigmatic socially engaged art and visual culture practices in Central and Eastern Europe, including their relationships towards the wider European context both in the past and in the present. Through exhibitions, research laboratories, seminars, publications and educational events, the project will build upon the strong heritage of modernist and conceptual art and theory in Croatia, Poland, Serbia and Hungary, creating vital links between national practices and contemporary developments in both the regional and wider European context.
Though more and more accessible, knowledge about art, its development and important historical practices in the countries of Central and Eastern Europe is still overwhelmingly mediated through Western discourse. Artists and cultural workers do not recognize themselves and their specific conditions in the monolithic construction that was termed “(the former) socialist Eastern Europe”, that so often serves as a common denominator in Western projects. The project Art Always Has Its Consequences, named after a quote from Croatian artist Mladen Stilinović, is related to specific historic, economic and political circumstances, but at the same time aims to surpass them. |
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